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Eyebrows on fleek? Check.  The term “on fleek” went viral back in 2014 after Vine user Peaches Monroee (a.k.a. Kayla Lewis) coined the phrase during one of her videos.

The video that started all this COMMOTION 👀👏🏾 a legend never DIES. 💋

A post shared by 👑Eyebrows On Fleek DAFUQ🍑 (@peaches__monroee) on

Since then, companies and celebrities have profited off of the term — in music and in marketing — and becoming a cultural phenomenon in the process.

@ninahouston_ #StayOnFleek

A post shared by Nina Houston (@ninahouston_1) on


But Peaches Monroee hasn’t seen a dime and rarely gets credit for the popular meme and phrase, leading the 19-year-old to open a GoFundMe campaign back in March aimed at raising $100k to open a cosmetics and hair line.

So how do Damn Daniel and Chewbaca Mom end up on Ellen with prizes and money, and Peaches left with an crowd sourced GoFundMe campaign? According to an essay written by Emma Grey Ellis on Wired, it (unsurprisingly) has a lot to with race and cultural appropriation.

Ellis writes:

“Lewis’s problem is part intellectual property law, part access to influence, and all systemic racial inequalities. However, egalitarian the iInternet was supposed to be, creatives’ ability to profit off their viral content seems to depend on their race.” Ellis goes on to quote #OSCARSsoWHITE creator, April Reign “I cannot name a person of color who has created something viral and capitalized off of it”.

Whitewashing and cultural appropriation is not a new concept. We have seen Black culture in music and arts “borrowed” and copied for centuries. Every song you hear with drums has African roots. We’re seeing more and more monetizing of cultural slang and viral phrases on t-shirts and hats, from “bae” to “bad and bougie.”

So what happens next? April Reign explains in her essay, “I’m in conversations now about what we can do for Black content creators to make sure that they’re monetizing. The next step is to determine how to ensure people are recognized as the original creator of a work. Nobody envisioned the internet when they were writing intellectual property laws.”

As for Peaches and her fundraising goal, she’s raised $15,000 so far, $85,000 short of her final goal.

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Netflix’s ‘Step Sisters’ Is ‘Bring It On’ … But Way More Woke!



Netflix is getting ready to “Bring It On” … in more ways than one. The streaming service’s new flick Step Sisters is reminiscent of the 90s dance film, but delves deeper into racial themes like cultural appropriation, tokenization and interracial dating.

In the film Megalyn Echikunwoke (Arrow) plays the president of a black sorority who is tasked with teaching one of the campus’ white sororities how to step for a charity competition. At first glimpse the film seems to be stepping into a can of worms — and had folks on Twitter up in arms, but the creators and cast told HipHollywood it isn’t about cultural appropriation but instead cultural exchange.

“There’s a strong political message, and there’s a lot of racial content,” said Nia Jervier. “But I think that the pill that may be difficult to swallow is dipped in honey, because it’s funny.”

What also helps is that producer/writers like Lena Waithe (Masters of None), Chuck Hayward (Dear White People) and Ben Cory Jones (Underground) are behind the project – so you know it’s woke.

“At the end of the day, Jamila the lead character in our minds she’s reaching over to show them a part of our culture. It doesn’t dilute our culture,” said Jones. ” And I love that we can take stepping and evolve that into issues of race and culture.”

Step Sisters begins streaming on Netflix January 20th.

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